Team Toni

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No Synopsis Available

$12.02

No Synopsis Available

$12.73

Loretta Lynn was one of the first female superstars in country music and remains a defining presence within the genre; with her strong, clear, hard-country voice and tough, no-nonsense songs about husbands who cheat and wives who weren’t about to be pushed around, Lynn introduced a feminist mindset to Nashville years before the phrase women’s liberation became common currency. Coal Miner’s Daughter is a screen adaptation of Lynn’s autobiography, starring Sissy Spacek as Loretta Lynn. One of eight children born to Ted Webb (Levon Helm), a coal miner raising a family despite grinding poverty in Butcher’s Holler, KY, Loretta married Dolittle Mooney Lynn (Tommy Lee Jones) when she was only 13 years old. A mother of four by the time she was 20, Lynn began singing the occasional song at local honky-tonks on weekends, and at 25, she cut (at Mooney’s suggestion) a demo tape that earned her a deal with an independent record label. Loretta and Mooney’s tireless promotion of the record (including a long road trip through the south in which they stopped at every country radio station they could find) paid off — Loretta’s first single, Honky Tonk Girl, hit the charts and earned her a spot on the Grand Ole Opry. Stardom called and Loretta never looked back, but success brought with it both joy (a long string of hit records and sold-out concerts and a close friendship with Patsy Cline) and sorrow (a nervous breakdown brought on by overwork and a great deal of stress to a marriage that endured — but just barely). Sissy Spacek won an Academy award for her vivid, thoroughly natural performance as Loretta (she also did her own singing), and Levon Helm (drummer for the legendary rock group the Band) made an impressive screen debut as her father. Ernest Tubb makes a cameo appearance as himself. ~ Mark Deming, Rovi

$9.99

Get the most out of your iPhone’s camera and video capabilities with this full-color reference! The iPhone’s integrated camera is ideal for snapshots and video on the go. Written by a professional photographer and Mac expert, this handy, full-color guide shows you how to get the most out of your iPhone camera’s capabilities. Packed with easy-to-understand coverage on how to shoot and edit great photos and video, this For Dummies book is here to help you take advantage of even the most impromptu photo opportunity. Walks you through the exciting capabilities of the iPhone’s integrated camera Shows you how to get the most from the iPhone’s functionality Reviews the best iPhone applications for improving and enhancing your photos and acquiring must-have iPhone photography accessories Explains how to set up photos, use available lighting, enhance photos digitally, and share photos iPhone Photography For Dummies features fun and friendly tips and helpful advice on accessories so that you can make your good iPhone photos and video great .

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Overview:The conventient iPhod iPhone iTouch Nano Classic Nano3 universal dock is an elegant home base for charging and syncing with your computer of for connecting your iPod iPhone iTouch Nano Classic Nano3 models that have a dock connector.The Universal Dock serces as a convenient and elegant home base for charging, syncing and more. Connect the Dock to a stereo or speakers using an iPod stereo audio cable to play music from iPod. Control your iPod from afar.Play, Pause, control volume and skip foward and back between songs from across the room with the Apple Remote.Function:download data, charger, audio out, video/iphone out, remote.Compatible with:iPhone, iPhone 3G, iPod, touch, nano, classic, nano3.Package:1 x dock, 1 x AV cable, 1 x USB to Micro USB cable, 1 x remote controlerSpecification:Weight Approx:189.9gSize Approx:9 x 9 x 2.1 cm

$19.99

Derek “Sway” DaSafo was one of the most promising British rappers to emerge in the mid-’00s, the period immediately following the initial flourishing and fading of interest in the U.K. grime scene. (His music bears some sonic similarities to grime, but is better described simply as hip-hop, with all the breadth of appeal that distinction entails.) This debut album, which followed two rounds of “This Is My Promo” mixtapes, displays him as a fully formed and formidable talent: self-conscious and introspective (that much should be evident from his album titles), but never tediously chin-stroking or esoteric; delightfully witty and droll but almost always with a well-considered underlying message; streetwise but hardly thuggish; linguistically nimble but not ostentatious; decidedly English in rhetoric, references, and voice, but distinctive enough, and with enough sheer unqualified charisma, to transcend genre and geographic boundaries. Indeed, Sway strikes such a well-positioned balance between so many poles and potential pitfalls, offering a little something to appeal to almost any potential listener, that you’d expect him to come off as overly calculated. On the contrary, though, his casual, almost tossed-off earnestness is quintessential to his charm. The album gets off to a particularly spectacular start, alternating between hard-hitting, grime-style tracks — the hypnotically menacing, synth-based title cut and the contemptuous, verbally pyrotechnic “Hype Boys” — and brighter, more melodious material like the charmingly breezy (and peculiarly harpsichord-laden) single “Little Derek,” and especially “Products,” a jaunty, pop-reggae love letter to his native London that plays like the hip-hop version of Lily Allen’s “LDN.” This opening quartet is all basically autobiographical in content, but “Pretty Ugly Husband” veers into fantasy/role play territory with a supremely unsettling account of domestic abuse. It’s easily the album’s darkest and most violent moment, all the more startling for how it’s sequenced, after a candid, endearingly self-deprecating bedroom skit that accompanies the blissful “Derek,” and just before the wry “Flo Fashion,” with its spot-on skewering of trend-chasing credit card debtors. “Download” duplicates “Fashion”‘s gag of feigning cluelessness — this time about illegal file-sharing — to great comic effect, but also raises cogent questions about the contemporary musical economy. “Up Your Speed” is Sway’s rousing stab at an all-out Brit-rap anthem, complete with geographic shout-outs (“Wolverhampton: up your speed/Newcastle, Sheffield: up your speed”), an infectiously sinuous guitar line and a stuttering groove not dissimilar from the beats popular in contemporaneous southern U.S. rap. The later portion of the album, though not a major let-down, doesn’t hold up quite as well — it gets mired in saccharine R&B territory to some extent, and is generally less inventive musically and conceptually — but Sway’s personality and

$99.99

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